Portfolio

I didn't find a rocket that attracts me like you do (2025)

Audiovisual Installation

I didn't find a rocket that attracts me like you do uses the mechanics of game engines to question how digital systems transform trauma into navigable space. Inside the perspective of six-year-old Gen Nakaoka, the protagonist of the Japanese manga Barefoot Gen, the player moves through the virtual space, where field recordings, podcast moderation and fragmanted testimonies emerge as spatialized sound.

214 voices for Ala (2025)

10-Channel Spatial Sound Installation

214 Voices for Ala investigates how anger can be computationally generated, multiplied, and spatialized. The installation deploys 214 distinct vocal entities, each modulating intensity, tone, and emotiona l charge. By juxtaposing human expressions of anger with emotion-conditioned text-to-speech systems, the work examines how digital infrastructures simulate affect and redistribute it across physical space.

Polytope Listening Session 1 (2025)

6 Channel Spatial Sound Installation

Polytope Listening Session 1 constructs a spatialized listening architecture that interweaves historical and contemporary narratives surrounding nuclear violence. The installation disperses testimony, archival fragments, and speculative commentary across a multi-channel sonic environment. Hiroshima and Nagasaki resonate alongside present geopolitical tensions, collapsing temporal distance into an acoustic field.

In cos(α) turn left (2024)

Audiovisual Installation

In cos(α) turn left examines the loss of orientation produced by algorithmic navigation systems. Distorted signals with holographic display structures, the installation stages a fragmented perceptual environment in which directional logic becomes unstable. The work proposes disorientation not as error, but as a structural condition of contemporary mediated infrastructures.